THE HOMECOMING: THOUGHTS AND A POEM ABOUT PRISON

The Homecoming: Thoughts and a Poem About Prison

By Jorge Antonio Vallejos

I found out on Saturday that an acquaintance has just been charged with first-degree murder:

“Did you hear about [so and so]?” said my friend.

“Was he killed?” I said.

“No, he’s been charged with killing someone,” said my friend.

I met the accused years ago.  We would chat briefly when we saw each other.  Our talks were hyper masculine: women and boxing and partying.  His stories often involved drinking and bar fights.  This is why I thought he was killed. 

My phone call with my friend was cut short so I had to GOOGLE the news about the murder.  I assumed the accused killed someone with his hands or a broken beer bottle.  I was wrong. 

Shotgun-blast-wrong.

After reading a few articles in bed on my laptop I decided to shut down my computer and lay down. 

It was contemplation time:

Prison

Murder

Gangs

Rape

Life changes

Solitude

Freedom

I’m a much different person than I was years ago.  Most people know about the Black Coffee Poet but they don’t know Jorge. 

Before entering university and claiming myself a writer and earning a degree I was on the wrong path: the path to prison.  Cops told me so, relatives told me so, teachers told me so, I told me so.

The last telling being the most destructive.

I had been involved in various things that escalated from the time I was 12 to 21: stealing baseball and hockey cards to bikes to breaking into school lockers to stealing car stereos to whole cars to selling weed and crack and being involved in violent altercations.

When I was 17 I went to jail very briefly and when I was 19 I went to jail also. (See me reading, The Bull Pen, an essay and poem about my 2nd time going to jail.) 

I had accepted that life.

And I glorified it.  I remember cutting up crack on my desk while listening to Shook Ones part 2 by Mobb Deep.  I sang the lyrics as I chopped a big chunk into pieces worth $20:

“As long as I’m alive I’m a live illegal.”

I had an invincibility complex.

I was delusional.

To me, going to prison was cool and a right of passage.  It meant a completion of manhood.

Still, I was scared of being raped.  Movies and my mom had put that in my head.  So did a racist detective who unsuccessfully tried scaring me into talking after hours of interrogation:

“You’d be doing 25 years to life with n*****s with dicks this big!”

 he said with his white hands shoulder width apart from one another.

(That’s who your taxes are going to pay, people!)

The first time I went to juvi my mom yelled at me on the phone:

“Don’t go to sleep!  Keep your eyes on your cellmate all night in case he tries something on you and you have to fight!”

Thank Creator I’ve never experienced sexual violence.

My friend George and I talk about that a lot.  Some of our male friends are survivors of sexual violence and we’ve seen how it can take a toll on someone’s life.

I sat in the park yesterday reading a Haruki Murakami book, What I Talk About When I Talk About Running, and I thought about the accused, my past, and his future. 

The sun shone on me as I ingested Murakami’s words, a light wind passed through me, and the bench I sat on fit my body perfectly.  I thought about my freedom; my mental, spiritual, and physical freedom.  And I thought about choices.  How the choices I made led me to turmoil and when I changed they led to enjoyment.  I pictured Murakami running, and me walking, then I remembered the various cells I was in at different times in my youth.  I thanked Creator for having me change my life and for the beautiful simplicity of sitting in a park alone with a good book.

Other memories came to mind.  One was of my sweatlodge brother who did ten years and has been out for five years.  Really, he’s still incarcerated.  He’s institutionalized.  All he talks about is prison and he keeps in touch with his buddies who are on the inside.  At first his stories were interesting and then I got tired of our conversations being focused on the loss of freedom and what’s happening in a totally different world that is 2 hours away from me; a world I don’t want to see: Kingston Pen.  Or any pen.  

I thought and thought and thought:  Why did I change?  How did I change?  Have I grown up?  What is in store for the accused?  Is my lodge brother still thinking about steel bars, loud buzzers, and The Native Brotherhood?  How, and where, are other people I knew who were involved in crime? 

The fragility of men was on my mind.  At times a defeatest mentality creeps in and I have visions of doing hard time.  I wonder if I still think that going to prison will complete me? Do I still think prison equals manhood?  Have I stopped viewing big time drug dealers are idols?

You never know what someone is thinking. 

I remember being in my first year of university and contemplating selling drugs again.  The poor student life isn’t always as exciting or glamorous as getting away with crimes and making money.  And I still hung out with dealers in my first and second year; people I started out in the trade; people who respected me; people who were happy I was in university and who would pay for me everywhere we went because I was the poor student and they were making a lot of money.

Most of my friends are Aboriginal and Peoples Of Colour.  Many of us have been arrested and incarcerated.  And that’s how the system wants it.  I know this.  It’s called colonialism; sadly, it’s alive and thriving.  And the prison industrial complex is an extension of colonialism that mainly squeezes and holds Aboriginals, Blacks, and Latinos/Mestizos in the stolen land now known as North America. 

Aboriginal peoples and Peoples Of Colour are told via media from a young age that prison is their future.  COPSThe First 48DEA, and Beyond Scared Straight are just a few of the  current shows that do the telling. 

My love for my mom has kept me out of trouble as well as the fear of sexual violence and the loss of freedom on a long-term basis; and of course the loss of my life.  I was seeing a lot of guns and the levels of violence I was involved in were escalating.  It got scary.

Did I change my ways out of selfishness?  What does it mean to “make the right choices”?   Why are they right?  And what is right about them?

I thought about the accused while in bed.  If he is convicted and goes away for a long time will his mom pass on while he’s inside?  We are at that age.  Does he have kids?  Will he be able to survive racial segregation inside?  The white supremacists are going to want him.  When will he come home?  Will anyone be waiting?  Will there be a home to come back to?

Years ago an acquaintance of mine, who was then someone I considered a friend, came home from doing a year and a half up north.  It was his fifth or sixth time inside and he did five years after that.  I wrote this poem last winter when the memory hit me:

The Homecoming

By Jorge Antonio Vallejos

We waited a year and a half to

hear your stories

see your size

work your new connections

 

You told us of

broken jaws

shitty food

a former boxer who made shanks

 

Jokes, junk food, a walk to the bridge,

then you took a marker and wrote

 

WHITE SUPREMACY

 

on the wall under the pool.

 

A groan of disbelief by one

spoke for us all.

 

The shade no longer covered you.

As I held my Murakami book and heard the birds sing I thought how the life of a starving artist, and former poor student, who is free is priceless.  I gave thanks again to Creator, prayed for the accused and the deceased, and I went to spend Mothers Day with my moms.

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FREE BOOKS!!! # 2

This is the 2nd installment of my VLOG series FREE BOOKS!!!.

My friend Paula gave my 42 books last week.  So, I decided to write an article about the event and do this VLOG to show you the books and talk about them.

If you love books you will enjoy this VLOG, the article that preceded it, The Box Of Books In Paula’s Kitchen, the first VLOG in the series, FREE BOOKS!!!, and the article that prompted it all: FREE BOOKS!!!.

Watch, SHARE, Tweet, and comment! 

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THE BOX OF BOOKS IN PAULA’S KITCHEN

The Box Of Books In Paula’s Kitchen

By Jorge Antonio Vallejos

“I still have that box of books for you in my kitchen,” said my friend Paula last month while we talked on the phone. 

Paula had been holding that box of books for a few months for me.  Her collection was getting too big and she had to downsize; that box was filled with books Paula thought I would like.

Plan after plan to meet failed.  Still, the box sat in her kitchen waiting for me, its new owner.

Free books come my way regularly.  My friend Marcia gave me 45 books in January when she was moving.  Fellow poet Maureen Hynes has given me about 30 books in the last year.  And I recently had an offer by someone to give me books if I helped them clear their shelves (I still have to answer them; of course it is a “YES!”). 

Paula’s problem is my reality with the difference being that I see it as a fortune: my book collection is growing.  I don’t believe in a book collection being too big, but I do see book collections being too big for certain spaces and I’m a prime example of that. 

Still, I say, “Yes!” when people ask if I want to check out their book collection and take what I want.

I’m a book addict.

To name it properly, I am a bibliophile.

I can’t walk past bookstores and not go in.  I might not buy anything but I have to look, hold, and read parts of a few books.  I am usually in a bookstore for 30 minutes, sometimes a couple of hours.

And don’t get me started on 50% OFF days at GOODWILL.  I definitely walk out with something, usually two to three books.  I once came home with close to a dozen.

So, for the last two months I have been thinking about that box of books in Paula’s kitchen.  She lives out of town.  If not, I would have gone over there the day she told me about the box. 

That box of books was like treasure that I knew was coming to me.  Like my four year old neighbour who says, “mine!” to everything he sees, I thought about ‘my’ box of books.

Finally, this past weekend, Paula came to town.  My box of books was on its way.  But there was a little obstacle: my landlord.

I’ve got so many books that I’m scared I’ll be charged with hoarding.  So, I had to find a good time to sneak the box in, meaning a time when my landlord would not be home.  Paula knew this.

“I’m downstairs,” said Paula from her cell.

“Perfect, my landlord just left!” I said.

I ran down the stairs and out the door.  Paula was still in her car and got out when she saw me running at her.

“Let’s say our “hi’s” when I get back down,” I said. 

Paula opened the trunk, passed me the box, and I booked it back to my place.

The box originally held recycled printer paper.  It was now the home to 41 books of all types:  religion, poetry, erotica, memoir, plays, and short story.

Most of the books are paperback and they are poetry so the box was not that heavy. 

Thank Creator!

I opened my door, ran to my room, and set the box down.  I thought about Paula waiting downstairs but I had to look.  I sat on my bed with the box on the floor in front of me and opened it. 

Byron jumped out at me.  Then The Dalai Lama.  Then came Shakespeare and Kahlil Gibran along with a bunch of Canadian poets and some queer books.

My hands rummaged as I sat bent forward.  My fingers flipped pages and my eyes looked greedily at words as I smiled. 

Books! 

Here is the top 10 in no order:

A Choice of Dreams by Joy Kogawa (1974)

Hard Light by Michael Crummey (1998)

Blues & True Concussions: Six New Toronto Poets (1996)

Early Embraces: True Life Stories of Women Describing their First Lesbian Experience

The Weight of Oranges by Anne Michaels (1986)

Erogenous Zones: An Anthology of Sex Abroad Edited by Lucretia Stewart (2000)

Minding The Body: Women Writers on Body and Soul Edited by Patricia Foster (1994)

All The Anxious Girls On Earth by Zsuzsi Gartner (1999)

The Collected Poems of Stevie Smith (1975)

Oedipal Dreams by Evelyn Lau (1992)

I put the books back in the box and ran downstairs.

That box of books was no longer in Paula’s kitchen.  My hunger and curiosity had been satisfied.  Paula and I could now hangout.

That box of books was mine.

Thanks Paula!

Tune into Black Coffee Poet Friday May 11, 2012 for the 2nd installment of my VLOG series FREE BOOKS where you’ll see all the book Paula gave me.

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MONDAYS

Mondays

By Jorge Antonio Vallejos

Today is that day that many people dread: Monday.

I have heard people say, “I hate Mondays!”

My mom and my friends have said, “Mondays.  Mondays.  Mondays.”

I’m not a hater of Mondays but some Mondays are hard.

It is dark outside, the rain is coming, and my leg hurts.  The gray has me tired and I’m battling to stay awake and stay positive.

Accompanying the sound of my fingers typing is T.I singing What You Know.  I might YOUTUBE some Jay Z and Alicia Keys after so as to keep my mood up.

Mondays for me are always about starting my week on blackcoffeepoet.com.  Whether I’m featuring someone or a specific topic or just writing posts about life, Monday is a new beginning. 

My life is scheduled around blackcoffeepoet.com: Monday, Wednesday, Friday.

If I make plans with people during the week I tell them my best days are Tuesday and Thursday, or any weeknight and of course weekends.

People close to me know about you, my readers, and how I am committed to you 3 days a week, sometimes 4 on special weeks. 

While planning a private writing retreat with two people one of them said, “What about your readers?” 

Our retreat will start on a Monday and end on a Thursday and there won’t be internet access there. 

I said, “I’ll let them [my readers] know.” 

Every Monday I have to do something for my website.  It feels unnatural no to.  When I was up North last year on a trip I didn’t write for 3 weeks.  I felt so weird.  I felt like my purpose had died.  Essentially, a huge part of me was dormant, or sleeping, for 3 weeks. 

Mondays means life. 

When I hit PUBLISH on my dashboard I have given birth to a new post, a new connection with a reader, a new journey from my head, heart, and hands to someone else and the many places where the post ends up in the ether world.

It’s exciting to write for you.

It’s exciting to see where my work goes, how it is received, and where it ends up.

It’s exciting to start that new journey from head to heart to hands to the world.

Mondays are good for me.  Whether they are dark, wet, and full of pain, or sunny and uplifting, my Mondays are about life on the page, the screen, the web, and the many minds that ingest my output.

I love Mondays!

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THE BATTY BOYS REVENGE

Meeting Troy Jackson for this week’s taping was great.  

We laughed, shared stories, and took a short walk.

Community is a big theme in Jackson’s work, this song, The Batty Boys Revenge, in particular.  

See my review of Jackson’s EP CD of Troy and my interview with him. 

The Batty Boys Revenge is a call to action, a song of strength, the taking back of an homophobic term, fists of poetry in notes, and standing for something. 

With  the recent brutal murder of gay man Daniel Zamudio, 24, in Chile, and the violent comments of hompbobic Baptist Pastor Sean Harris this week, The Batty Boys Revenge is needed greatly!

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INTERVIEW WITH TROY JACKSON

Troy Jackson is a Canadian mixed-race, queer, Muslim pop and punk musician who is calling for a pop music re-evolution.  

Jackson resides in Toronto and is currently working on a full-length album.

Jackson will be performing music from his EP CD of Troy Friday May 5 at the Toronto Unity Mosque 3rd Year Anniversary party in Toronto.

BCP: Why music?

TJ: Why Not? Had no choice. Music chose me…I blame it on that fall from an upper bunk bed when I was 8. I landed on the record player as it was spinning an Earth Wind and Fire 45.

BCP: Can you tell me a little bit about your song writing process?

TJ: Some songs write themselves and the words just flow. Some songs take longer with a verse that was written a while ago being combined with something that was written in the moment. Other times I see a visual which inspires the lyrics.

BCP: Who, or what, are your influences?

TJ: My childhood, my day job, and my sassy, tough, lovely mother…she lovesmusic and passed this on to her kids. Grace Jones, Tina Turner, Divas who know how to work it and say it.

BCP: Is there a particular musician you are listening to now?

TJ: LAL (http://lalforest.bandcamp.com), Amalia Miz Fuze Townsend

(http://www.tokyodawn.net/amalia-art_slave/) and my own tracks that are in the works.

BCP: Can you provide a recommended music list for people?

TJ: Homegrown talent! Support Your local Musicians!

Some link suggestions:

www.rpm.fm (Indigenous Music Culture)

 www.radioregent.com

 www.ckln.fm

 www.enjoytroyjackson.com

BCP: Your music is entertaining, motivational, and political. What do you try to convey to your listeners?

TJ: A good beat with something to say!

BCP: Do you identify as a musician or a queer musician?

TJ: I am a Musician who is proudly Black, Native, Gay, and Muslim.

BCP: You are a devout Muslim.  Has your faith helped with your music?

TJ: Yes. All great music comes from the soul.

BCP: How long were you working on CD of Troy?

TJ: That process went on for awhile. 2 Years. I would say I was putting out my CD and then I would get sidetracked with live performance. Once I decided I was going to finally do this I had to work hard so I could pay for everything myself…indie to the core.

BCP: Was it difficult writing such a personal and sensitive song like The Batty Boys Revenge?

TJ: Yes. It was a great way to confront the past and help heal the present. I’ve almost been gay bashed, have been spat on, and have had things thrown at me verbally and literally for being gay. I tuned into that power and expressed that through the lyrics and video. The Batty Boys Revenge is dedicated to the larger LGBTQ Community around the globe because we are “Coming Back From The Dead”, because we are banding together inspired by other movements to keep on keeping.

BCP: When do you plan on coming out with a full-length album?

TJ: Currently I am working on a band project with three other lovely musicians, Mikela Jay, Andrea Battersby and Geoff Doner…4 distinct voices over brillant soundscapes. Coming Soon! Some fabulous dance floor tracks and a couple of fun remixes for the summer time.

BCP: Do you have a show coming up anytime soon?

TJ: The 3rd Year Anniversary Celebration for the Toronto Unity Mosque

(Egalitarian/ Queer Positive/ Friday Mosque Space) which I co-founded with my partner El-Farouk Khaki and our dear friend Dr. Laury Silvers.  After this I will be hunkering down for some studio time and a couple of shows over the summer season with a mini tour slated for early fall.

BCP: What advice do you have for other musicians out there?

TJ: Write, Collaborate, Dare, Be Open, Listen, Dance, Take care of your voice, Tune yourself in, Do you/Original, Let Your Soul Sing, Love What You Do.

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CD OF TROY

CD of Troy

By Troy Jackson

Reviewed by Jorge Antonio Vallejos

I enjoy supporting independent artists.  For the most part they are easy to get along with and are appreciative of the work I do.  And there’s a hunger factor.  Artists who are not in the bigtime are hungry, in a good way, and they are ready to show their talent. 

I know this because I’m one of those hungry artists; I’m ready to write a piece, read some poems somewhere, and teach workshops.

Hunger is something I respect.

Troy Jackson is a hungry artist who matches humility with his appetite. 

When finding out that Troy was a musician who used his music to entertain as well as educate and challenge systems of oppression I knew he was a perfect fit for my site.  We met, took photos, chatted, and then I heard him sing.

Boom! 

Troy blew me away. 

Part of the privilege of running my site is that I get to meet artists, get books and videos and CDs sent to me, and I get to see one on one live performances that I tape and then upload on YOUTUBE for everyone to see. 

But I get to see them live.

As I videotaped and watched Troy Jackson sing The Batty Boys Revenge I was in awe.  I saw hunger and talent and heart flow in unison.  I enjoyed a live performance that I was going to watch over and over again on my YOUTUBE channel. 

You could see the happiness in Jackson’s face as he sang, and the gratefulness in his seeing my amazement.

After our taping and photo-shoot I told Jackson I was excited to listen to his CD of Troy.  I was not disappointed.

Made up of six songs, CD of Troy is hard to explain in terms of what genre Jackson’s style is.  All the tracks are danceable, some are more for a club while others are suited for a lounge or after-hours bar, and some would be great to drive to on the highway.  One song reminded me of the old-school breakdancing days of the early 1980s. 

Who (Beautiful) is an uplifting song that not only gets you moving, it touches your heart.  “Power to the people” is sung by Jackson.  He’s telling the listener to not give up, that they are not helpless, that they have a voice.  Jackson is telling us that everyone is strong and beautiful.  “Don’t you be afraid to be as beautiful as you supposed to be.” 

Who is a much needed message of re-birth, empowerment, and freedom.  You can see that Jackson is community minded.  Without getting into all the uglies that exist in society, Jackson sings about positivity and reassures everyone that they are beautiful in their own way.  With a funky electro beat accompanying Jackson’s voice he reassures his audience that they can get back their voices, wings and live their dreams. 

Surface (falling) has a housey beat.  While listening to the song I felt like I was back at the INDUSTRY club on King St. 15 years ago at 5 am.  I could see the crowd in the dim light dancing and holding their drinks.  Halfway through the track the beat switches from house to techno and it’s not awkward.  Surface is it’s own 3 minute mixtape that ends with positive lyrics: “rising to the surface”.  Again, Jackson sings about overcoming struggle.  “Keep this life in check” sings Jackson.  It’s good advice coming at you with slick beats and a good vibe.

My favorite song is The Batty Boys Revenge.  Batty Boy is the Jamaican patois term for a man who is gay.  Over the years there has been much controversy of Dancehall Reggae artists from Jamaica being banned from performing in Canada because of their homophobic lyrics.  Homophobia is present everywhere and in every culture. Jackson has decided to use this homophobic term in a “taking back” manner.  Referencing himself as a Batty Boy Jackson talks of hate in families, churches, and on the streets toward queer folk.

Jackson is transparent in letting his audience know that he faced homophobia at home as well as the streets.  He tells the common story of leaving home because of his being queer.  His song is a confession as well as a manifesto: he’s been through shit (“hell to pay”) and he’s had enough!

Jackson talks of the realities of violence:

Nowhere to run,

Nowhere to hide,

Last week,

Batty Boy fi die.

 

Jackson challenges the church:

Preacher lead the chorus and they all pray,

Tell me who you hate today.

 

Jackson is fed up:

Looking over my shoulder,

I had enough of it.

Gonna bypass this bullshit.

 

Batty Boy ends powerfully:

We’re coming back,

We’re coming back,

Coming back from the dead.

CD of Troy is short, sweet, fun, and challenging.  You can dance to it, use it in workshops and classes around anti-oppression, and use it for parties.  It has a bit of everything, mainly the heart of an artist who wants to entertain and bring positive change.

Tune into Black Coffee Poet Wednesday May 2, 2012 for an inclusive interview with Troy Jackson.

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THE GIRL WITH THE RED HAIR REALLY NEEDS TO SHAVE HER FUCKING ARMPITS

Meeting Clementine Cannibal for this week’s feature was fun.  We chatted, chilled, enjoyed the sun, and shared ideas.

I had seen her read some powerful pieces on YOUTUBE and I wanted her to read something new and just as powerful.  

Not only does this piece have a powerful and cool name, The Girl With The Red Hair Really Needs To Shave Her Fucking Armpits, it has content that is important: homophobia, bullying, teen suicide, violence against women.

See my review of Cannibals zine Licking Stars Off Ceilings #23 and my interview with her.

Enjoy The Girl With The Red Hair Really Needs To Shave Her Fucking Armpits.

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INTERVIEW WITH CLEMENTINE CANNIBAL

clementine cannibal is a toronto based queer, feminist, artist, zinester, musician, skater and activist.

she explores themes of violence, sexuality and the body in her work.

she is a lover and promoter of all things DIY.

you can find more of her work and order her zines and art at: 

http://www.clementinecannibal.com

BCP: Why zines?

CC: i discovered zines when i was about twelve years old through the book ‘a girl’s guide to taking over the world’. i was a closetted queer girl being sexually abused by her grandfather, living on a rural dirt road. i felt completely alone and i didn’t know how to deal. zines showed me that i was not alone and they taught me to turn my suffering into survival through creative production. i made my first zine at the age of thirteen and started making them regularly at the age of fifteen. and to this day, they remain my favourite form of creative expression. what i like about making zines is that i have complete creative control. i don’t have to explain or justify my choices to anyone. i can do it however i want. because my writing is often very personal and a lot of it is about trauma and survival, complete creative control empowers me, it puts me in charge of my story. it gives me power, freedom and choice… things i did not have while being abused and assaulted.

BCP: What is your process?

CC: i do everything spontaneously. writing usually builds up over a period of weeks or months. i write whenever i feel like it and when it seems like i have enough material, i plunge into the zine making process. for me, this usually entails many hours of cutting and pasting. i normally do all of the cutting and pasting in one sitting. i follow my inspiration and use collage and sometimes scribbles and drawings to express elements that are not necessarily expressed through words. zines were the first place i experimented with visual art. i say things through my collaging that i am not quite ready to say with words. the next issue usually says more explicitly what i was hinting at in the last one. and then, once it’s all put together, i go to the copy place and photocopy it all myself and then i put the zines together, each one by hand. it’s many hours of work and it’s totally worth it.

BCP: How long have you been making zines?

CC: i started in the year 2000. my first widely distributed zine, saliva girl, started in 2002. between 2002 and 2005 i put out zines called saliva girl, persephone’s passion and she breathes. in 2005 i put out the first issue of licking stars off ceilings which continues to this day and is now in it’s twenty third issue. so i guess i’ve been making zines regularly for ten years.

BCP: Who, or what, are your influences?

CC: cindy crabb who makes doris zine. cocoa/puss. my sister casey jean. courtney love. ani difranco. lil kim. all the queer, feminist and anti-racist thinkers who have challenged me and pushed my thinking. the city of toronto. the goddess.

BCP: What are you reading now?

CC: the graffiti i pass on the street and the zines i get in the mail.

BCP: Can you provide a recommended zine reading list for people?  Feminist and lefty zines or blogs?

CC:

doris zine by cindy crabb – http://www.dorisdorisdoris.com

mend my dress by neely bat – http://mendmydress.com

casey jean / cumslutsinc – http://www.youtube.com/cumslutsinc

cocoa/puss zine by cocoa/puss – http://www.myspace.com/cocoapusszine

anything by hadass ben-ari – http://hadass420.wordpress.com

cat’s teeth by winter muse – http://sites.google.com/site/catsteeth/zines

culture slut by amber dearest – http://fight-boredom.com

ax wound by hannah neurotica – http://hannahneurotica.com

sweet candy zine distro – http://sweetcandydistro.weebly.com

marching stars zine distro – http://www.marchingstars.co.uk

vampire sushi zine distro – http://www.vampiresushi.co.uk

BCP: How long were you working on licking stars off ceilings #23?

CC: the writing came together over a period of about two months, except for one piece which is older. the cutting and pasting happened in one night. and i continue to print and collate copies as needed.

BCP: What does the title mean?

CC: i came up with the title when i was seventeen and it means exactly what it says. licking stars off ceilings. i think it is one of the most beautiful phrases i have ever written and ceilings is my favourite word in the english language. 

BCP: Your piece why bisexual is about combating biphobia.  Biphobia is something that is rarely talked about.  What reaction have you gotten about the piece?  How far do you think the bi movement has come along?

CC:i have received a lof of positive feedback about the piece which is really awesome. i think it’s something a lot of people want to talk about, but are afraid to. biphobia is alive and well within the queer community, as well as among heterosexuals. i have known many people who identify as bi but who live the majority of their lives telling people that they are either gay or straight, or saying queer to mask their bisexuality. i have also felt uncomfortable outting myself as bi sometimes and i have hidden behind the word queer in order to avoid biphobia. i identify as queer too, they are not mutually exclusive terms, but bisexual indicates that i spend part of my time living, loving and fucking in heterosexual contexts. a lot of queer people are apparently made uncomfortable by this. biphobia is dangerous. it divides our community and it demands that people divide themselves. as a queer community we need to work on this, because there are many closeted bisexuals among us.

BCP: sexual violence is not sexy: reimagining masculinities and what it means to be a man is an amazing piece of writing. 

CC: thank you. i want to offer men a way out of the trap of hyper masculinity. i want to offer men an alternative to gaining power through violence, misogyny and homophobia. and i want to challenge men to be self reflexive and to actively work against male supremacy. the reward is complete humanity.

BCP: You write in different genres: poetry, memoir, letters.  Do you have a favorite?

CC: i’m not sure which style i prefer. they all have their purposes. poetry simply flows from me. i don’t intend to write it. it just comes out. i also do more focused writing where i choose to delve into a topic and explore it intentionally. writing stories about my life is an extremely important political tool for me. writing about my life honestly is a way to put different representations into the world. i like to open up topics that we are told never to talk about: violence, sexual violence, queer sexuality, female sexuality, body image, menstruation and so on. by writing about these things i invite others to write about them too. we don’t need to remain silent.

BCP: You write a lot of personal stuff; much of it being painful histories.  Is writing healing to you?

CC: most definitely. it is a way for me to take ownership of my life and my body. it is a way to take my power back from my perpetrators. i think creative expression is a very important healing tool for anyone who has experienced trauma. i also like turning my suffering into action and positive change. by telling my stories i show other girls and women that they are not alone, the same way that zines i have read showed me that i am not alone. and we inspire each other to action. we refuse to remain stagnant in our suffering. we turn it into power.

BCP: What advice do you have for other zinesters, or people interested in being zinesters?

CC: just do it. don’t listen to any advice. do it exactly how you want to. it’s a process. have fun with it. don’t worry about criticism or grammar or type-os. that shit doesn’t matter as much as the heart of what you are saying. if perfect spelling/grammar is important to you, go for it. but what i’m trying to say is don’t get snagged on the little stuff. turn off that voice in your head telling you that you can’t or that you suck. that’s bullshit. every single person has important stories, thoughts and ideas. every single one of us is an artist with creative visions just waiting to spill forth. you can do it. don’t listen to the haters. just do you.

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LICKING STARS OFF CEILINGS # 23

Licking Stars Off Ceilings #23

By Clementine Cannibal

Reviewed by Jorge Antonio Vallejos

Clementine Cannibal is a skateboarding, guitar playing, poet, blogger, and internationally read zinester. 

After watching Cannibal read sexual violence is not sexy: reimagining masculinities and what it means to be a man on YOUTUBE I wanted to read her zines and meet the writer behind such powerful words.

Reading licking stars off ceilings # 23 was no disappointment!

Zines aren’t something I usually read.  It’s not that I don’t like them it’s that none are sent to me for review.  And I don’t see many around anymore at the places I once saw them regularly. 

I also find that zines can just end up being rants and I’m not into reading 20 to 50 pages of yelling on paper.  I like writers who have something to say, and Cannibal has lots to say, and she says it well.

The 28 pages that make up licking stars off ceilings #23 are filled with honesty, introspection, power, and knowledge; all coming via mini-essays, a letter, poems, and writings similar to journal entries.  Some of Cannibal’s pieces seem like stream-of-conciousness writing and others are well thought out messages, both styles being great.

Two pieces in the zine stuck out to me: an untitled letter that I’ll call Dear Clementine of 2010 and why bisexual?  queer and straight worlds, shapeshifting desires.

As an old school letter writer who puts pen to paper when communicating with friends out of town and country I loved Dear Clementine of 2010.  As a reader I witnessed love, growth, challenge, spirit, and honesty with oneself via Clementine’s mind, heart, and hands.  For all those who lie to themselves in this life they should read this letter and then write one to themselves. 

Some could peg Dear Clementine 2010 as self therapy.  It’s more.  Conventional Western therapy is usually focused on the mind and ignores the heart.  Reading Cannibal’s letter had me remember a Mohawk teaching shared by Ellen Gabriel who stood at the front lines at OKA: “The longest journey in life is from your head to your heart.” 

I’m not saying Cannibal has completed that journey, or that she is an Elder, but her letter showed me she’s on the good path that most people have not found.   

Cannibal’s courage and compassion and transparency with herself, her reader, and her abusers are seen here:

that fact that after everything, after extensive violence, you are capable of so much love.  i love that you went out and claimed your sexuality, after it was stolen from you again, and again.

Canniblal ends her letter with “love clementine of 2012.”  The entire piece is a love letter; one that we should all write to ourselves.

why bisexual? queer and straight worlds, shapeshifting desires is a mini-essay on a topic that’s not written about enough.  Identifying as queer, pansexual, and bisexual, Cannibal fights biphobia on paper via her personal essay:

i am honestly sick and fucking tired of biphobia.  it’s a real thing.  it fucks with a lot of lives.  and I don’t believe that ending queerphobia will necessarily result in an end to biphobia.  because it isn’t just our queerness that causes people to fear us.  it is our ability to pass, to shapeshift, to exist in multiple worlds.  until multiplisitc identities are accepted as possibilities, bisexuality will be feared.

As opposed to confronting herself such as in her letter Clementine is challenging the queer community.  And she is right, biphobia is real.  Many gays and lesbians see bi folk as confused fence-sitters as opposed to being the people they are, people who can love different peoples.

Cannibal isn’t complaining about biphobia, she’s pointing out the problem and doing something about it.

licking stars off ceilings # 23 is not just Cannibal showing people things on paper she is also asking important questions.  In sexual violence is not sexy: reimagining masculinities and what it means to be a man Cannibal challenges men via important questions:

can you unobjectify my body?  can you purge yourself of the toxic messages you have learned about womens sexuality?  can you handle it if I reject you?  can you love me unpossesively?  can you fuck me in a way that is more than a validation of your manhood?  do you have to put your dick inside me everytime we fuck?  can we just be friends?  can we have a conversation without you staring at my tits?  can you take rape seriously, please?   

All men need to ask themselves these questions, repeatedly, me included!

My only problem with the zine is the repetitive pictures.  As much as I love seeing Cannibal show her all there could have been more variety in the photos displayed throughout the zine.  Knowing that Cannibal plays the guitar, paints, and skates on a board I would have liked to see pics of all that, and more.

licking stars off ceilings #23 was pleasure, insight, challenge, and instruction all in one.  I now want to read and review more zines, especially more put together by Clementine Cannibal.

To grab this zine and more see http://www.clementinecannibal.com.

Tune into Blackcoffeepoet.com Wednesday April 25, 2012 for an inclusive interview with Clementine Cannibal.

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